I am catalogue number 016 on Synapsis Records. Four tunes called 4D Mind Sculpting comprise this 12” that fill up the frequency spectrum with its acid lines, chord progressions, and arpeggiation lines. Four dimensions do not exist in our reality but if one could imagine the extra dimensional sense, then these four compositions are what I imagine.
Arp Love Confusion///Strong words of advice begin with a full bass and sparse chords as the percussion strikes in the background. Later an arpeggiation followed by a second arpeggiation happens to create moody and malleable effects. The intensity picks up as the chords swell and the vocals continue, all the elements persist with fluid motion as it slowly descends to a kick at the end.
Leecher///A warm kick and panning arpeggiation begins the composition followed quickly by a melody and then another arpeggiation appears. The percussion is sparse and moving, then an acid line drops that causes counterpoint before becoming the main focus of the tune for a while. The acid line modulates for a bit and leads us back to an arp line. The head bobbing is now in full effect, as all the elements move back in forth and fill up one’s eardrum with waveforms. The acid line makes a break and the journey comes to an end with the arp line.
Şımarık///A filtered percussion loop with sparse chords begin the piece. Hi hats come in hot that leads us into acid line which also serves as the melody. Then suddenly a counter melody appears as the chords hit more often. Many modulations occur as the tune moves through time causing great variety due to the decay from the chords. The acid line comes back to do the work and is the focus as the track builds back up just to be deconstructed at the end.
Sensei///The 12” ends with banging percussion complimented with fluttering flute lines. The acid line comes in to add a groove that leads us to a chord progression. The bright chords ride over the top as the acid line modulates. The chords gain steam and the acid line becomes the focus as the synth toms syncopate, the kick also moves around adding additional syncopation. The interplay between the elements continues until the conclusion.
Distributed by DBH