Perp-004 side A
Perp-004 Side B
With its fourth release, Perpetual Rhythms appears with three tunes from label owners Chicagodeep and Taelue as Ghosts of the Sky. When we look up into the stars we see them as they were millions and in some cases billions of years ago. This fact intern gives way to the name of the collaboration, timeless sounds that fill your soul as they travel through the reaches of your mind via your eardrums. The self titled release features three deep tunes that extend the genre of deep house with groovy rhythms, plush chords, and a quintessential Chicago touch.
Asylum///The journey begins with a slow-motion, beatdown tune, in which many sounds swish together as the kick enters to establish the pulse. The tune continues to build slowly as more elements come in that subtly make your head bounce as the baseline pulsates. Ghosts of the Sky is born.
Squash///Tune two is quite a bit harder as the bass line begins, slowly modulating and then joined by percussion and a chord progression. The tune continues to pick up steam as more hats join in. A droning string note comes in over the top, sounding like a rover on an alien planet picking up samples for study, the tune rocks until the end.
Cycle Tunings///The final tune begins with percussion filled with modulating reverb, that leads us into a chord progression. More percussion sounds as it moves through time, eventually settling in with toms grabbing the attention right before a harder baseline comes in. With this baseline, the tune sounds more electric while a melody line slowly appears to complete the idea.
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Available at Juno
Murph Tone Jack Session Remixes have come up, I was planning to do a remix vinyl for at least a year. And finally the opportunity came up for me to get four reinterpretations from Chicago producers Chicago Skyway, G. Marcell, Ike Release, and Steven Tang. Their contributions expand the Jack Session with deep and rhythmic tunes that will rock from warehouse to boats.
Chicago Head (Chicago Skyway Remix)///The remix 12″ begins with hihats, melodies, and a train trip that explores the jack. Bouncing melodies accompany a story about life perceptions. The subtlies of the beats showcases Skyway’s drum programming.
Tender B (G. Marcell Tender Touch Remix)///The A side ends with classic G. Marcell percussion and drowning pads. Meanwhile the chords move in the background as a secondary broken kick pattern comes forth. The tune slowly builds and breaks as the kick drum pulsates.
Technicals (Ike Release Remix)///The B side begins with squelchy bass lines and some Murph Tone percussion sounds. Re-triggered percussion move around as the bass line continues to to tap the frequency spectrum to emotive rawness.
Tender B (Steven Tang Remix)///Ending the 12″ is a deep house jam that has the chord sound changed with a new bassline and string melody. Nice and deep is this tune.
Subtleties in music inspired the jack session album as the remixes follow this same ethos. This is the conclusion of the Murph Tone Jack Session.
Murph Tone Jack Session I
Murph Tone Jack Session II
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008 materializes from Spirit of the Black 808 with a “12 called Guerilla Shit. SB808 manifests three rough, rugged, and raw tunes in which the waveforms are stopping eardrums and woofers meanwhile experimenting but still staying true to the Chicago ethos. So we at Synapsis continue to push the underground music; hence guerilla shit!
King Kong///Percussion rings out while tom drums began as the focal point of the tune. The attention torch is passed when a detuned bass melody begins to ring out notes. Periodically vocals come and go for most of the journey while some bass staccato sounds augment the piece. This tune begins the EP with an eerie feeling as the melody line continues to articulate long and slightly dissonant notes.
Guerilla Shit///Raw percussion begins as toms bang and synth lines pulsate. Chords come in early to join the flurry momentarily. Vocals ring out as a brother tries to catch your attention. Jack mode grabs the soul as the track continues to groove. “Man, you just got hit with some Guerilla Shit!”
4dabrothasthatainthere///To finish off the EP we have the most experimental tune holding down the B side. Slowed down acid lines begin while a voice gives a shout out to the fallen brothers. Emotive chords sound as the percussion moves and moves. After each phrase new sounds and rhythms proceed to fill out the beat while a subbass plays in the lowest note registers. Meanwhile the acid line is steadily tweaking to provide a journey.
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