It’s been a minute since the last Machining Dreams release, however I have come with an album. It is called Beatsmith. Really it is a retrospective project as this album was made several years ago. Now is the time to present these tunes to the world. All produced in a two period sometime in 2013 and will finally see the light of day. Many harmonies and rhythms protrude through speaker from my psyche, creating this LP presented here. There are nine tunes and three interludes for your listening pleasure. The nature is typical me, blurring the line between house and techno which work on the dance floor or sitting somewhere chilling. Digital only, the first Machining Dreams release to be like this is here for you:
Tears of Jack///We begin the journey with syncopated beats and an arpeggio. Futuristic in tone, the tune keeps evolving as more elements are added. Meanwhile the synth arp continues to modulate throughout the entire duration of the piece. Chords come in to add flavor to the mixture of elements. As well, the chord progression does not resolve until close to the end, which will reward and listener who chooses to stay throughout the 6:47.
Starship Prisms///More syncopated sounds here. A bass line and synth melody round out the elements until later when a melody comes in for a brief spell. The percussion is really driving, giving off the image of riding on a space ship through hyperspace.
Syncopated Movements///Bouncing rhythms that circulate around each other is the theme here. Percussion and chords strike first that leads a listener to a driving bass line. Notes in the high register start to vibrate giving the sound great diversity while the hats come in and pick up the pace. The pace is like bouncing up and down on a giant rubber ball while experiencing an barrage of tones.
Flowing Suns///Chords and sparse notes ring out introducing the rest of the tune. A bass line keeps the low register busy coupled with the continued chord progression running over the top. Modulating like sun flares, the chords keep the ear busy as the percussion changes, bringing the tune to life like suns do for planets.
Lullaby Beginnings///The first interlude happens with a melody with much delay from outer space.
Magic Rainfall///A deceptive breakbeat appears supported by an arpeggio line. Long notes ring out to fill up the spectrum that introduce chords and the driving bass line. Two arpeggio lines play with each other as the tune builds. The adventure takes a few turns and towards the end a chord progression comes in to add resolution. Like when one is skiing down a mountain and reaches the bottom safely.
Movements In Space///Bumping percussion drives the tune while chords and a bass line come in to cause more movement. Like the Marvel character ‘Juggernaut’, the track cannot be stopped once its starts. The sounds keep ringing from the entire spectrum causing one to shake their body eventually due to the swirling smoking tones.
Secret Melodies///Interlude number 2 is another melody that comes with much soul and delay too.
Damage Control///Another tune with bouncing effected percussion, this time however more of a chord progression from the outset. Sounding like a boxing match as the chords punch the bass line counter punches. The track continues to evolve as the journey continues with the modulating chords and percussion.
Machine Work///Syncopated percussion appears as a chord is sustained from time to time. From the outset the percussion is quite aggressive as the syncopated beats remain steady and a bit later a nice chord progression shows its head, but only for a bit before we return to the first section of the tune. Which reminds a listener of riding the train and seeing the same things in the landscape but then suddenly something catches your eye for a brief moment.
Transverse///The last interlude is an arpeggio from space that modulates like being dragged playfully through a wormhole.
Solar Winds///To end the excursion is deep house tune that features a chord progression as the main theme that swells up to introduce the bass line. The modulating chords continue to emote from the speakers as the percussions becomes more prevalent. A melody also comes in to add color and emotion, which is fitting for the end of the tune as the projected started aggressive and ends passive.