Perp-014

12.11.2019

Perp-014

Taelue blesses us with his first solo project , a mini album titled “Reflections”. 6 tracks are here that vary in style. Like the title suggest, this is a personal project, apparently years in the making. With 3 club, 1 experimental and 2 downtempo cuts brings out Taelue’s voice which is a unique vision that is blurring the lines of house and techno, which is not new, but he is doing it at a lower tempo. Taelue synth work in the slower tunes is very expressive and dreamy, yet the fast tunes are very aggressive. I guess you cannot hide from all your emotions, reflections…

The 4th Dimension///Percussion begins the journey quickly joined by melody and harmony elements. The tune builds up through more synth work. The chord progression holds the main rhythm as no kick drum appears. Deep house in essence is the feeling here, setting up the rest of side A.

Twin Flame///A bass line starts as the main focus of the tune. Meanwhile a hi-hat and snare are panned left in right causing a stereo effect. The hat arrangement begin to dominate as more elements appear. Here is a nice light tune that permeates a feeling, which I can not describe, that creates something in your soul.

Rage Against Oppression///Classic drum machine kick sounds followed by and quick syncopated acid line. The energy is great, right from the beginning. Quite aggressive in nature but is a rocking acid tune in which the line is the feature. Slow building anger is happening until the boiling point that is never quite resolved and really only evolving.

A Bleak Moment///Side B begins like side A, chill; emotive chords and this time downbeat. The synth work here is dreamy and the kick drum booms underneath the pleasurable tones.

The Sunken Place///A change of feeling happens as the bass line strikes and the technoesque drum arrangement happens. Definitely a banger that will rock those dark, smoked filled, drug induced club nights. The kick drum is booming while most of the other tones lie in the low register symbolizing the sunken place.

Reflections///To end this collection of tunes is the title track, which is a broken beat jam with deep chords, high notes, and bass melody. The bass is the main theme here, subtly modulating adding to the mysterious nature of the track. The sparseness of the sounds allowed Taelue to really express something heart felt here.

hakim…

mdreamsdigi001

05.02.2019

Beatsmith

It’s been a minute since the last Machining Dreams release, however I have come with an album. It is called Beatsmith. Really it is a retrospective project as this album was made several years ago. Now is the time to present these tunes to the world. All produced in a two period sometime in 2013 and will finally see the light of day. Many harmonies and rhythms protrude through speaker from my psyche, creating this LP presented here. There are nine tunes and three interludes for your listening pleasure. The nature is typical me, blurring the line between house and techno which work on the dance floor or sitting somewhere chilling. Digital only, the first Machining Dreams release to be like this is here for you:

Tears of Jack///We begin the journey with syncopated beats and an arpeggio. Futuristic in tone, the tune keeps evolving as more elements are added. Meanwhile the synth arp continues to modulate throughout the entire duration of the piece. Chords come in to add flavor to the mixture of elements. As well, the chord progression does not resolve until close to the end, which will reward and listener who chooses to stay throughout the 6:47.

Starship Prisms///More syncopated sounds here. A bass line and synth melody round out the elements until later when a melody comes in for a brief spell. The percussion is really driving, giving off the image of riding on a space ship through hyperspace.

Syncopated Movements///Bouncing rhythms that circulate around each other is the theme here. Percussion and chords strike first that leads a listener to a driving bass line. Notes in the high register start to vibrate giving the sound great diversity while the hats come in and pick up the pace. The pace is like bouncing up and down on a giant rubber ball while experiencing an barrage of tones.

Flowing Suns///Chords and sparse notes ring out introducing the rest of the tune. A bass line keeps the low register busy coupled with the continued chord progression running over the top. Modulating like sun flares, the chords keep the ear busy as the percussion changes, bringing the tune to life like suns do for planets.

Lullaby Beginnings///The first interlude happens with a melody with much delay from outer space.

Magic Rainfall///A deceptive breakbeat appears supported by an arpeggio line. Long notes ring out to fill up the spectrum that introduce chords and the driving bass line. Two arpeggio lines play with each other as the tune builds. The adventure takes a few turns and towards the end a chord progression comes in to add resolution. Like when one is skiing down a mountain and reaches the bottom safely.

Movements In Space///Bumping percussion drives the tune while chords and a bass line come in to cause more movement. Like the Marvel character ‘Juggernaut’, the track cannot be stopped once its starts. The sounds keep ringing from the entire spectrum causing one to shake their body eventually due to the swirling smoking tones.

Secret Melodies///Interlude number 2 is another melody that comes with much soul and delay too.

Damage Control///Another tune with bouncing effected percussion, this time however more of a chord progression from the outset. Sounding like a boxing match as the chords punch the bass line counter punches. The track continues to evolve as the journey continues with the modulating chords and percussion.

Machine Work///Syncopated percussion appears as a chord is sustained from time to time. From the outset the percussion is quite aggressive as the syncopated beats remain steady and a bit later a nice chord progression shows its head, but only for a bit before we return to the first section of the tune. Which reminds a listener of riding the train and seeing the same things in the landscape but then suddenly something catches your eye for a brief moment.

Transverse///The last interlude is an arpeggio from space that modulates like being dragged playfully through a wormhole.

Solar Winds///To end the excursion is deep house tune that features a chord progression as the main theme that swells up to introduce the bass line. The modulating chords continue to emote from the speakers as the percussions becomes more prevalent. A melody also comes in to add color and emotion, which is fitting for the end of the tune as the projected started aggressive and ends passive.

hakim murphy

NM-03

02.05.19

NM-03

Dream Scoring is a project between HEAR and I that started in 2016, which saw us release our first 12″ Images of a Myth on HEAR’s Naissance Musik. Now more than two years later we present a remix project from the above EP. HEAR enlisted a plethora of producers that vary our sound, Wareika, Amir Alexander, Yard One, and Nesta helped us to create a very diverse sounding EP. Check the sounds and enjoy for yourself:

Motion Currents – Wareika’s Moon Aligned Remix///This remix features a splattering of percussive elements that groove and in the background are the many tones moving through time. Chords come as a voice narrates the 12 minute excursion and throughout are many modulations for added color. The vocals are very soulful and are highlighted by the chords. Definitely a club banger for many occasions. When one wants to go on an extended journey, this remix is here for you.

Story Catcher – Amir Alexander’s Gritty City Refix///A pulsating remix that is close and yet far from the original. The same pulsating tones sound throughout, however the musical parts around it unfold quite differently. The percussion flickers meanwhile the bass line develops and Amir adds a sprinkle of melodic panning lines and strings that compliment each other. This movement is quite deep and keeps a listener’s attention. Somewhere between the line of house and techno is this track which makes it quite a versatile dance floor weapon.

Blowed Out – Yard One’s Lucid Dreamshape///Like the name suggest this remix from Yard One is extremely dreamy. The chorus effect sparkles on the instruments from the beginning and as the elements appear one by one, the fog gets thicker and thicker. The fuzzy feeling is maintained through the tune’s entirety, yet the melody instruments and guitar licks are free from the haze which brings a new dimension to the reality of the tune. Lucid and dreamy indeed, hypnotic vibes here all day in this tune, which makes for a powerful listening experience.

Silhouette – Nesta’s Wavy Remix///To end the project, Nesta presents a steady track for the more minimal type heads. The tune moves steadily, building up momentum and keeping a groove. Full and beefy are good adjectives at play here. Many elements from the original appear halfway and fit nicely with the new waveform realization. This cut will definitely appeal to many djs and listeners out here.

Available at all streaming and digital ports.

hakm murphy

Perp-012

6.3.2018

After quite the long hiatus, I am back posting on Machining Dreams blog and I am starting back with a various piece featuring several Chicago luminaries.

: Perp-012

Welcome to the Barbershop. This LP arrives with tunes from some of your favorite artists representing Chicago’s underground dance music sphere on the city’s bred label; Perpetual Rhythms. A wide variety of fresh cuts and genres are showcased, ranging from Deep House and Techno to Experimental and Ambient, providing an eclectic listening experience. The central theme of the LP is “things that relate to a barbershop”, topics such as hairstyles, hair products and humor. We invite you to stay a while and experience this sonic journey with an open mind.

dcee – Suavecito // A smooth, deep house track filled with colorful chord pads, sparse bassline, and metallic percussion coupled with a chirping melody.

Chicagodeep – Blow Out // An in your face house beater where the bassline keeps the groove and organ stabs color the tune all while a low synth pad modulates underneath the groove.

DCook – Comb Over // Beat down sounds reside here through the slow tempo and chord progression. Sounding clean, the track takes the listener on a journey of tasty house elements.

Taelue – Razor Line Up // Continuing is another beat down track except we delve into darker territory. The bass line establishes the diabolical character while the tune builds momentum slowly and more dark sounds join the fray.

Hakim Murphy – Finger Wave // Sparse percussion strikes that lead into modulating chords of emotive goodness. The chord motif and percussion make playful changes as if one was floating through the clouds.

Obsolete Music Technology – High Top Fade // An energetic tune that straddles the house and techno genre pulsates with a steady bassline, melodic pads, and phasing percussion.

Specter – Butters Whipped // A classic drum set oozes from the speakers introducing warm sounds that tepidly caress the listener’s ear drums. The elements build up quite quickly assembling a sparkling groove that beats through time.

Isoke – Soul Glo // A bright banger that wastes no time establishing its feeling; driving percussion and 1 bar synth lines pay homage to the Chicago track masters from yesteryear.

Damon Lamar – Bermuda Triangle // Rounding out the LP is a deep rider that serves up a plate of beautiful nostalgia. The wonderful myriad of shuffling drums, bass and synth pads bring forth thoughts of sailing away on the Atlantic Ocean.

Chicago Skyway – Edged out // Reverb and delay introduce melodies of grandeur. The tones swirl around almost as if they are filtered through a kaleidoscope. This effect gives the tune several interesting tonal characters as it progresses.

—

As I’ve listened through the LP several times in order, I think it has a lot to say in these musical dark ages.

hakim

Available at:

AC009

11.4.16

AC009a

Chris Mitchell is back on Anunnaki Cartel with a three track 12″ that features strong drum programming with a dystopian feel. Mitchell is pushing the worried and anxious sound, apparently he thinks house and techno is not always roses and peaches. The Remnants EP features three tunes with the mechanical feelings of cyborgs running around in industrial areas creating dance music.

Remnants///Panning arp lines, boxy percussion, with long bass notes that double as a melody begin this 12″. Later the beats become chunky as the toms strike and shimmering sustained crashes appear. The tune remain crunchy until its conclusion as the dystopian feeling is prevalent.

Opinions Are Prisons///A full palette of sounds begins the B side of the wax. A voice in the background states something that is not recognizable. An arp line is the main focus with long bass notes serving as a complimentary line. The voice modulates as the percussion moves along. A melody line comes in to add depth. The elements continue to change as the vocals ring out until the end.

Succubi///A sub kick begins the end as a voice and synth slowly gain steam and volume. The pulsating kick leads us into percussion which is a change from the first two tracks. The vocal moves around as two synth lines play off each other with slow modulations. A melody line appears to cause an emotive feel as all the elements progress to their peak. The synth lines become a bit more fuzzier as a filter also becomes audible which leads a listener right to the break.

AC009b

Available at:

AE101

9.9.16

AE101b

New Dutch label called Another Earth is debuting now with a split EP as its first release. Esther Duijn is the label owner and she is also featured on the B side of this release, teamed up with her partner Steady Douglas. The A side features techno head Myles Sergé. This music here is leaning toward that techno sound with house sensibilities. Here is the prose from the label:

There is a new label under the horizon and it’s first imprint is all about warm heavy Detroit influenced deep techno. Another Earth combines 2 acts together in a Split EP series who compliment each others sound. The A-side hosts the renowned US based producer, Myles Sergé (MS – RE(FORM) ), who, for these 2 tracks, let his machines run crazy beat patterns in a old school Detroit techno vibe. The B-side features Dutch based duo Duijn & Douglas (Esther Duijn & Steady Douglas). Their stripped warm heavy padded deep techno influenced tracks are perfect for creating some heat on the dance floor and the B2, Stray, is driven by Berenice van Leer’s lush intense voice.

Myles Sergé – The Art of Shadow Thoughts///Ambient sounds begin as percussion strikes, creating a very eerie effect. The percussion slowly builds establishing the groove, first the hats, then the rides, and finally the toms ring out. Later a chord progression appears that is supported by the eerie pad that began the track. The elements move around until the conclusion.

Myles Sergé – Lunokhod 1///A straight beater as the tune has a heavy kick and severely syncopated rhythm. The percussion builds and builds as track moves forward gaining momentum all the while. Definitely one for the peak time hours as the rides picks up the tempo even further. Then machine sounds appear sounding like a factory robot that does the same job over and over that adds flavor to track. Some proper techno right here.

Duijn&Douglas – Bizar///The B side begins with a smoldering sound of pumping kicks, bass, and a chord stab. This tune is more on the dub techno tip. Subtly the chords and the hihats grow in volume. The percussion growing every so gently just to lead us to the main theme. The chords and percussion are modulating in harmony as the track grooves. The pulsating chords get fuzzier with each new go around of the theme until the closure.

Duijn&Douglas feat. Berenice – Stray///Tuned percussion end this 12” with its banging kick and droning voice of Berenice. A beautiful melody comes in as Berenice begins to sing, a few moments later a house bassline appears to give it that warm feel. All the elements then come together and groove. The interplay between the elements move fluidly as the track maintains a bouncy feel until the culmination.

Available at:

vs002

5.12.12

vs002Aside

vs002Bside

Chris Mitchell is up next on Vanguard Sound with a solo piece called Phrenetic EP. A four track 12″ that shows off Chris’ versatility as each track has a different style and feel. Some new music from the American south that is making waves as Chris is creating his own sound. Check the prose from the one sheet:

Vanguard Sound is back with its newest record. Chris Mitchell‘s Phrenetic EP is Vanguard Sounds second release. Coming on the heels of the wildly popular Vanguard Sound Vol. 3, this EP continues to uphold the aesthetic created with the first release, while simultaneously expanding it. The Phrenetic EP features four tracks from the mind and studio of a quickly rising North American talent that all walk the fine line between house and techno. All are very complex rhythmically, with both banging drums, and lush tones. A perfect 3 way marriage of classic Chicago, Detroit, and New York vibrations, the record contains set peaks, as well as transitional tracks that allow DJs to traverse from house to techno and back. Already receiving massive amounts of positive feedback, this EP is proving to be a more than worthy follow up to VS001.

Phrenetic///Floating synths stabs appear as the percussion hits, later joined by another synth line to round out this banger.

Lazerdrive///Bumping bass sounds with a matching synth are driving the track. Suddenly a stuttering voice appears that adds more flavor to the tune.

California///Definitely a west coast sound; guitar riffs sound, a vocal phrase appears, and finally a chord progression comes in with percussion driving it along.

Y.I.C.U.///Synths and bass begin the last track as a filter voice saying Y.I.C.U. floats the forefront. Later more synth lines appear as the vocal gets longer as the tune fills up.